How to invoice like a pro
BY SUSAN DE WEGER Why is it so uncomfortable for freelance classical musicians to talk about money? Freelancers in other industries, particularly tradesmen, manage […]
September 2016
CutCommon reveals plans to livestream
Are you ready to hear classical music in Australia like you’ve never heard it before? CutCommon is ready to bring it to you. We are […]
Katia Beaugeais’ First Light at Uluru
BY KATIA BEAUGEAIS Under the direction of Dr John Lynch, The Sydney Conservatorium Wind Symphony will perform the world premiere of Katia Beaugeais’ First […]
The Sound of One Penny Dropping
BY CAMPBELL BANKS The eyes gave him away. They’re hidden on the back wall of the hall, in amongst the cartographic wood panelling of […]
Benjamin Beilman and Andrew Tyson on first AU tour
Violinist Benjamin Beilman and pianist Andrew Tyson make their first tour of Australia from 3 to 25 October 2016 for Musica Viva. The program showcases […]
A love letter from Beethoven
BY STEPHANIE ESLAKE [AND BEETHOVEN] Be cheerful – remain my true, my only treasure, my all as I am yours. Pretty romantic, right? Beethoven […]
Alice Chance and AJ America talk wild women
BY STEPHANIE ESLAKE What composition throughout history do you feel has represented women wildly, absurdly, accurately, or powerfully? We pose the question to two […]
Con Fuoco: Angus McPherson
Welcome to Con Fuoco, CutCommon’s interview series with young musicians across Australia. You may have seen Angus McPherson’s byline around here at CutCommon. But […]
Best sci-fi flute works of all time
BY ANGUS MCPHERSON The Cabinet of Oddities is a show combining fiction, flutes and fantasy. Premiered at the speculative fiction convention Conflux (which happened to […]
Live Review: Tognetti, Vanska, and the TSO
BY STEPHANIE ESLAKE Bach! Tasmanian Symphony Orchestra with Richard Tognetti (conductor, director and violin) and Satu Vanska (violin) Federation Concert Hall, 2 September […]