Live review: Anima Eterna Brugge
BY ANGUS MCPHERSON Anima Eterna Brugge Beethoven Symphonies 8 and 7 City Recital Hall, 22 January For Belgian conductor Jos van Immerseel, an […]
2016
Con Fuoco: Carlin Hara-Crockford
Welcome to Con Fuoco – CutCommon’s interview series with emerging musicians across Australia. At 11, Carlin Hara-Crockford picked up the alto saxophone. But it […]
Mofo #1: Ensemble Offspring
BY THOMAS MISSON Ensemble Offspring Mofo Nolan Gallery, Mona, 16 January The Nolan Gallery played host to a large, unattended percussion set-up with […]
Tilde Festival: celebrating new music
BY STEPHANIE ESLAKE Prepare to hear music you’ve never heard before. The Tilde New Music Festival showcases just that – new and rarely heard […]
Classical music inspired by holidays
BY MADELINE ROYCROFT It’s that time of year again. If, like me, you spent almost every night of the Christmas break watching Netflix in […]
Is classical music boring?
BY SAMUEL COTTELL I have a confession to make. Sometimes I get bored at classical music concerts. Don’t get me wrong. It’s not the […]
2016: Meet the Team
Here at CutCommon, we’re working to bring you some exciting business this year. New content, new initiatives, and new opportunities. So as we prepare to […]
Live review: The Pearlfishers
BY ANGUS MCPHERSON Bizet’s ‘The Pearlfishers’ Opera Australia Sydney Opera House, 15 January Australian director Michael Gow’s new production of Bizet’s ‘The Pearlfishers’ […]
Blog: AYO National Music Camp
BY ANTONIA ZAPPIA CutCommon contributor Antonia Zappia blogs about her experience of this year’s Australian Youth Orchestra National Music Camp. Writing from the Words About Music […]
Schwing on Bruny Island, jazz, and ‘painter envy’
BY STEPHANIE ESLAKE The Neck is a narrow strip of land; an isthmus that connects one part of the wild Bruny Island to another. […]