Music and Art to Light Up the Lane
If you find yourself in Hobart this month and want to see a whole bunch of young people making crazy art, get on this. Light […]
2017
March with the Sydney Youth Orchestras
It’s a full year for the Sydney Youth Orchestras – and with the launch of their brand new group, the Western Sydney Youth Orchestra – […]
Baroque on an island – Van Diemen’s Band
BY STEPHANIE ESLAKE Julia Fredersdorff has launched an ensemble at the bottom of the world. The violinist brings baroque to audiences in Tasmania through […]
Join the CutCommon team
Would you like to join the CutCommon team? Become a contributor. We’re expanding our team and are on the hunt for passionate writers and music […]
Why our orchestra is almost all female
BY STEPHANIE ESLAKE The Perth Symphony Orchestra is one of the most progressive of its kind in Australia. Of its 150+ employees, more than […]
Top advice from arts recruiter Patricia Powell-Hughes
BY STEPHANIE ESLAKE What does a recruiting firm look for in the Australian music industry? We wanted to find out, so we asked Patricia […]
Making a Music Venue 104: Carol Dixon, Audience Development
BY STEPHANIE ESLAKE How do you bring a music performance to life? There’s a small team of emerging artists working hard in Melbourne’s inner […]
Live review: Saul at the Adelaide Festival
BY CHRISTOPHER WAINWRIGHT Glyndebourne Festival Opera/Adelaide Festival Saul by Handel Adelaide Festival Theatre, 5 March Enfant-terrible Barrie Kosky with an impressive team of singers, […]
Live review: Australian Electric with Three
BY LUCY RASH Australian Electric Three Melbourne Recital Centre, 23 February ‘…a sonic experience that is introspective, intriguing, and refreshingly relevant. You should […]
Con Fuoco | Anthony Zatorski, baritone and composer
BY LEAH BLANKENDAAL, SERIES COORDINATOR Welcome to Con Fuoco, CutCommon’s interview series with emerging musicians in Australia. Anthony Zatorski is an Adelaide performer […]