(Literally) Live Reviews // Celine goes to the QSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
May 2018
WTF?! How much does venue affect performance?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
Sydney Morning Herald: “One of the most dynamic sites is CutCommon”
CutCommon is “one of the most dynamic sites” in Australian arts criticism, writes Caroline Baum in an edgy new feature for weekend Sydney Morning Herald publication Spectrum. […]
EVENTS // Louise Dyer and Editions de l’Oiseau-Lyre
Louise Dyer and Editions de l’Oiseau-Lyre: The Establishment of a Music Press 18-19 May, University of Melbourne This two-day symposium will cover the Couperin complete edition […]
This young conductor is leading our future
BY STEPHANIE ESLAKE WITH CELINE CHONG When it comes to gaining experience in an orchestra, Tianyi Lu reckons it’s “kind of a chicken and […]
“I’m not sure why I find murder so funny!”
BY STEPHANIE ESLAKE Did you wince at the headline to this story? If so, you might not be ready for what Paul Smith has […]
Robert Braham: Sorry I Missed You
BY STEPHANIE ESLAKE Dr Robert Braham knows a thing or two about choral music. After all, he’s been in the Western Australian music scene […]
Live review // Melanie attends A Well-Set Table
BY MELANIE WALTERS A Well-Set Table Nexus Arts, Adelaide, 5 May From the moment I read the line-up for Nexus Arts’ event A […]
EVENTS // MSO side-by-side with young musos
CONTENT COURTESY MSO The MSO will team up with the young stars of the Australian music scene when they present the West Side Story suite, and more in […]
EVENTS // Voyces – Sorry I Missed You
CONTENT COURTESY VOYCES Voyces’ first concert for 2018 is Sorry I Missed You, a journey to the cutting edge of contemporary choral music. Returning […]