The best Australian music can happen when orchestras support the creators
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE “Play it faster, play it louder, make a viral reel, hook someone in the first three seconds before they scroll past. Being […]
BY STEPHANIE ESLAKE Every orchestra in the 21st Century faces the same challenge: how do you launch a concert season that will appeal to loyal […]
BY STEPHANIE ESLAKE Has there ever been a more appropriate time to connect with humans? To listen to stories sung and told? To come together […]
BY STEPHANIE ESLAKE A bit over an hour south of Hobart lies the natural, rugged wonder of the Tasman Peninsula. The landscape is at once […]
BY STEPHANIE ESLAKE You don’t have to play a woodwind instrument to be part of the Adelaide Clarinet & Saxophone Festival. You only need a […]
BY LILY BRYANT If you’re a fan of Australian film, chances are you’ve heard the timeless scores of Oscar-nominated composer David Hirschfelder. With credits like […]
BY LILY BRYANT Picture a concerto soloist out the front of an orchestra. What image comes to mind? Perhaps they’re wearing a flashy tux, or […]
BY STEPHANIE ESLAKE What is the sound of Australia? You will hear it in the notes of Jonathan Mills’ composition Songs for the Stranger, which […]
BY LILY BRYANT For aspiring Australian classical musicians, it can be easy to feel isolated. By the mere fact of our geography, we’re far away […]
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