You aren’t boring, so why is your bio?
BY SUSAN DE WEGER If you are serious about attracting and retaining a new audience for classical music, then you need to write about yourself […]
Blog
Fresh views on all things classical and new music
The piece I was born to compose
BY SEAN ROSS Winner of the Director’s Choice Award for opera in the 2014 Boston International Contempo Festival, Tchaikovsky, Angel of Music is not […]
Thomas Green: Finding a sound that is my own
BY THOMAS GREEN Thomas Green is the composer of Turbine – Collusion’s latest chamber ballet. It will premiere at MELT Festival on 23 May. Here, Thomas writes […]
Writing music for my newborn son
BY NAT BARTSCH, COMPOSER I’ve always felt that I don’t easily ‘fit’ in the music industry. For starters, I’m a female pianist and composer who […]
“Do you have perfect pitch?”
BY RACHEL BRUERVILLE “Do you have perfect pitch, or just relative?” I am sometimes asked this question, but before I can get into any […]
How do I get work writing music?
BY NATHAN LIOW During my music studies, my piano teacher and mentor Tony Gould once referred to the period immediately following graduation as “a […]
The value of a music industry placement
BY CELINE CHONG Celine Chong is the 2017 CutCommon Young Writer of the Year. Here, she writes a blog about what she’s learnt through […]
How to make the most of your friends
BY ERICA BRAMHAM Ten years ago, I suggested to one of my close musician friends that we should mentor each other. We began meeting […]
GALLERY // The Howling Girls at Carriageworks
BY SAMUEL HODGE Artist Samuel Hodge has spent this week in rehearsals at Carriageworks, in the company of new Sydney Chamber Opera creative collaborators: director Adena […]
Composing the other Mulan: Eli Simic-Prosic
BY ELI SIMIC-PROSIC On November 12, Eli’s work Festivities of Fragment was premiered in Shanghai by Zhang Liang, pipa soloist Xu Jiaxin and the […]