Rochelle Ughetti is balancing audiology with professional violin
BY STEPHANIE ESLAKE Not everyone can rise as early as 6am, or spend the next 12 hours on the job (and then some). But when […]
BY STEPHANIE ESLAKE Not everyone can rise as early as 6am, or spend the next 12 hours on the job (and then some). But when […]
BY KATY ABBOTT We spend years and years perfecting our artform as well as doing ‘all the right things’ to get ahead: making the most […]
BY STEPHANIE ESLAKE One of the most talked-about problems in our classical music industry is the imbalance between old and new works. Concert programs will […]
BY MIRANDA ILCHEF Nicholas McCarthy is clearly passionate about his job. He speaks with an animated, open-faced delight while discussing his upcoming Australian debut with […]
BY STEPHANIE ESLAKE Australian composer Rachel Bruerville is celebrating the release of her debut album of instrumental chamber music. But it’s not only an album […]
BY STEPHANIE ESLAKE We’ve all been there. Playing a piece of music in front of a teacher, adjudicator, or colleague — our nervous system on […]
BY LILY BRYANT It can be hard to adequately capture in words the feeling of making music with other people. It’s an in-between feeling, as […]
BY STEPHANIE ESLAKE, CHRISTOPHER LEON In a normal concerto, the soloist will begin with a familiar routine. “You come on, you shake hands with the […]
BY STEPHANIE ESLAKE The first time I hit ‘play’ on Erwan Keravec’s recordings, I find it hard to convince myself that I’m listening to a […]
BY LILY BRYANT At my local pub, there’s a jazz gig every Sunday afternoon. Over three hours, the punters will shuffle from Newtown’s King Street […]
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