The best Australian music can happen when orchestras support the creators
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE “Play it faster, play it louder, make a viral reel, hook someone in the first three seconds before they scroll past. Being […]
BY STEPHANIE ESLAKE Every orchestra in the 21st Century faces the same challenge: how do you launch a concert season that will appeal to loyal […]
BY STEPHANIE ESLAKE Has there ever been a more appropriate time to connect with humans? To listen to stories sung and told? To come together […]
BY STEPHANIE ESLAKE You don’t have to play a woodwind instrument to be part of the Adelaide Clarinet & Saxophone Festival. You only need a […]
BY LILY BRYANT If you’re a fan of Australian film, chances are you’ve heard the timeless scores of Oscar-nominated composer David Hirschfelder. With credits like […]
BY LILY BRYANT Picture a concerto soloist out the front of an orchestra. What image comes to mind? Perhaps they’re wearing a flashy tux, or […]
BY STEPHANIE ESLAKE Attend a classical music performance in Australia, and you’ll be hard-pressed to find someone who isn’t connected to the Australian Youth Orchestra. […]
BY LILY BRYANT In an often-quoted letter from 1829, German writer Goethe neatly describes listening to a string quartet as hearing “four intelligent people conversing.” […]
BY CUTCOMMON This is not the first time we’ve featured Arcadia Winds in CutCommon. Since the chamber group’s founding in 2013, we’ve caught up with […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.