In her new column, Katy Abbott shares strategies for a healthier arts career
BY KATY ABBOTT We spend years and years perfecting our artform as well as doing ‘all the right things’ to get ahead: making the most […]
BY KATY ABBOTT We spend years and years perfecting our artform as well as doing ‘all the right things’ to get ahead: making the most […]
BY STEPHANIE ESLAKE One of the most talked-about problems in our classical music industry is the imbalance between old and new works. Concert programs will […]
BY MIRANDA ILCHEF Nicholas McCarthy is clearly passionate about his job. He speaks with an animated, open-faced delight while discussing his upcoming Australian debut with […]
BY STEPHANIE ESLAKE Australian composer Rachel Bruerville is celebrating the release of her debut album of instrumental chamber music. But it’s not only an album […]
BY STEPHANIE ESLAKE We’ve all been there. Playing a piece of music in front of a teacher, adjudicator, or colleague — our nervous system on […]
BY LILY BRYANT It can be hard to adequately capture in words the feeling of making music with other people. It’s an in-between feeling, as […]
BY STEPHANIE ESLAKE, CHRISTOPHER LEON In a normal concerto, the soloist will begin with a familiar routine. “You come on, you shake hands with the […]
BY STEPHANIE ESLAKE The first time I hit ‘play’ on Erwan Keravec’s recordings, I find it hard to convince myself that I’m listening to a […]
BY LILY BRYANT At my local pub, there’s a jazz gig every Sunday afternoon. Over three hours, the punters will shuffle from Newtown’s King Street […]
BY DR DIANA TOLMIE As a Brisbane-based woodwind doubler, I’ve had the privilege of performing in many professional music theatre productions over the past 30 […]
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