This award-winning quartet is keeping the conversation going
BY LILY BRYANT In an often-quoted letter from 1829, German writer Goethe neatly describes listening to a string quartet as hearing “four intelligent people conversing.” […]
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How Arcadia Winds has achieved 13 years of success in classical music so far
BY CUTCOMMON This is not the first time we’ve featured Arcadia Winds in CutCommon. Since the chamber group’s founding in 2013, we’ve caught up with […]
Andrew Aronowicz used folklore as inspiration for his new music
BY MIRANDA ILCHEF Composer Andrew Aronowicz and the Melbourne Symphony Orchestra go way back. Over a decade ago, Andrew was first selected to take part […]
Affinity Quartet returns to where it all began
BY CUTCOMMON When Affinity Quartet won the 2023 Melbourne International Chamber Music Competition, not only did the group take out the three most prestigious prizes, […]
Rochelle Ughetti is balancing audiology with professional violin
BY STEPHANIE ESLAKE Not everyone can rise as early as 6am, or spend the next 12 hours on the job (and then some). But when […]
In her new column, Katy Abbott shares strategies for a healthier arts career
BY KATY ABBOTT We spend years and years perfecting our artform as well as doing ‘all the right things’ to get ahead: making the most […]
My biggest lessons from presenting 250+ works from the 21st Century
BY STEPHANIE ESLAKE One of the most talked-about problems in our classical music industry is the imbalance between old and new works. Concert programs will […]
In conversation with Nicholas McCarthy, left-handed pianist and champion of the repertoire
BY MIRANDA ILCHEF Nicholas McCarthy is clearly passionate about his job. He speaks with an animated, open-faced delight while discussing his upcoming Australian debut with […]
Rachel Bruerville has just released her debut album of instrumental chamber music
BY STEPHANIE ESLAKE Australian composer Rachel Bruerville is celebrating the release of her debut album of instrumental chamber music. But it’s not only an album […]
Your feedback can make or break a musician. Here’s why that matters.
BY STEPHANIE ESLAKE We’ve all been there. Playing a piece of music in front of a teacher, adjudicator, or colleague — our nervous system on […]