LIVE REVIEW // Mark sees Australia Ensemble’s No Strings Attached
BY MARK BOSCH, LEAD CRITIC No Strings AttachedAustralia EnsembleSir John Clancy Auditorium, University of New South Wales, 27 April UNSW’s resident Australia Ensemble is in […]
New voices share their experiences of live and recorded music
BY MARK BOSCH, LEAD CRITIC No Strings AttachedAustralia EnsembleSir John Clancy Auditorium, University of New South Wales, 27 April UNSW’s resident Australia Ensemble is in […]
BY ALISON PARIS, LEAD WRITER (CHILDREN AND EARLY LEARNING) A Flowering TreeOpera QueenslandQPAC, 2 April 2019 When Opera Queensland’s 2019 season was announced, A Flowering Tree […]
BY WENDY ZHANG Tang Xianzu: The Playwright in Concert Presented by China National Arts Fund, Shanghai Conservatory of Music, and AusfengSydney Opera House, 7 April […]
BY ANGELO VALDIVIA We would like to welcome Angelo in his first review as part of the CutCommon team. Symphonic FantasyWest Australian Symphony OrchestraPerth Concert […]
BY ALEXANDRA MATHEW Pärt PassioThe Song CompanySt Andrews Church in Brighton, 12 April Arvo Pärt composed his Passio Domini Nostri Jesu Christi Secundum Joannem in […]
BY WENDY ZHANG Ay Pachanga: The Story of Salsa Cadencia ProductionsManning Bar, Sydney, 30 March Ay Pachanga, the story of salsa and a celebration of […]
BY ALEXANDRA MATHEW Pinchgut OperaBach and TelemannElisabeth Murdoch Hall, 6 April All Saints Day, 1755, Lisbon. The faithful congregate in churches across the city, giving […]
BY JEFFREY PALMER Vienna and the WestGernot Wolfgang (composer)Albany Records, 2019 Gernot Wolfgang is one of those contemporary chamber music composers that pushes musical boundaries […]
BY MARK BOSCH, LEAD CRITIC Music on MusicSydney Chamber ChoirUniversity of Sydney, 30 March Sometimes, I feel like I give the game away a little […]
BY WENDY ZHANG Frances MaddenJazz Classics series The Foundry616, 15 March On a cold, drizzly night in March, I had the pleasure to listen to […]
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