LIVE REVIEW // Steph goes to see Missy Higgins and the TSO
BY STEPHANIE ESLAKE Missy Higgins and the Tasmanian Symphony OrchestraWrest Point Lawns, 15 February It was the perfect night for a concert. I huddled with […]
New voices share their experiences of live and recorded music
BY STEPHANIE ESLAKE Missy Higgins and the Tasmanian Symphony OrchestraWrest Point Lawns, 15 February It was the perfect night for a concert. I huddled with […]
BY JO ST LEON Romantic CelloWilma and Friends Wilma Smith (violin), Matthias Balzat (cello), Laurence Matheson (piano) Presented by Virtuosi TasmaniaHobart Town Hall, February 6 […]
BY MARK BOSCH, LEAD CRITIC OverSpiral EnsembleTempe Jets, 22 November Spiral is young, exciting, and unique. Specialising in post-minimalist music, the Sydney ensemble has been […]
BY WENDY ZHANG Tales of 12 Chinese ZodiacChina Oriental Performing Arts Group Produced by China Arts and Entertainment, presented by AusfengSydney State Theatre 21 November What […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN In early October, I attended High Score: Composition for Sound Art and Gaming, as part of the Melbourne International […]
BY MARK BOSCH, LEAD CRITIC Lone HemispheresEnsemble OffspringCarriageworks, 7 November Ensemble Offspring is closing in on the end of another stimulating season of new music […]
BY MARK BOSCH, LEAD CRITIC Forbidden ThingsBackStage MusicThe Newsagency, 24 October BackStage has really hit its stride with a tasty and colourful program in Forbidden […]
BY MARK BOSCH, LEAD CRITIC Radio SignalsBackStage MusicThe Newsagency, 17 October BackStage Music has, at last, returned for 2019, with the first of three rapid-fire […]
BY WENDY ZHANG Holst’s Planets Sydney Symphony Orchestra 27 September 2019, Sydney Opera House Gustav Holst wrote The Planets (Opus 32) between 1914 and 1917, […]
BY KIYA VAN DER LINDEN-KIAN Meeting Points Series: Leaf and ShadowAustralian Art Orchestra with guestsArts Centre Melbourne, 22 September Meeting Points is a collaboration between […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.