CutCommon https://validator.w3.org/feed/docs/rss2.html Rubiks celebrates its 10-year milestone with new Australian music In her new column, Katy Abbott shares strategies for a healthier arts career LIVE REVIEW // Anna Lapwood performs Max Richter EVENTS // ANAM 30th Gala with Simone Young Slava Grigoryan can’t get enough of this genre-busting piece EVENTS // Richard Tognetti with the ANAM Orchestra When authenticity feels dangerous EVENTS // Lutosławski Quartet Residency at ANAM EVENTS // ANAM musicians present Schubert Octet Affinity Quartet returns to where it all began Rochelle Ughetti is balancing audiology with professional violin EVENTS // The Big Idea – 10 years of Rubiks Collective EVENTS // Support MYO’s Big Busk 2025 Help 700 students shape “the future of music in Victoria” Richard Bonynge Ensemble is connecting young artists with leaders in the field My biggest lessons from presenting 250+ works from the 21st Century Is perfectionism holding you back as an artist? EVENTS // Chopin: A Stranger in Paris with Emmanuel Despax and Richard Bonynge Ensemble In conversation with Nicholas McCarthy, left-handed pianist and champion of the repertoire Contact CutCommon Home Rachel Bruerville has just released her debut album of instrumental chamber music Australian conductor Carolyn Watson on commissioning new music Get your fix of chamber music, dance, and “risk-taking” percussion this June These singers are bringing all the “peace, joy and love” to their Australian debut “Record number” of young composers are flocking to Willoughby Symphony Orchestra ‘I can’t be friends with the machine’: What audio artists working in games think of AI These 11 composers are sharing in $82k worth of funding to make new music Emma Donovan: “These are the songs that I stand on” Theonie Wang is set to shine as concertmaster in ANAM’s major gala event Discover how Pompeii’s ancient ruins inspired a new Australian composition Warm your autumn soul with Nat Bartsch, Philip Glass, Bach and more this May Demons and ghosts face an epic battle in Australia’s haunting new concerto Your guide to live music in Melbourne this August and September About “Brokenness and healing”: Liza Lim shares the inspiration behind her new cello concerto The music of Philip Glass has never been more hypnotic Australian arts industry must brace for future disaster impacts now EVENTS // Matthias Goerne sings Winterreise with Daniil Trifonov “Australians are actually some of the best classical musicians on Earth” Gillian Wills confronts the “predatory behaviour, lack of funds” in Australia’s classical music industry Creative industries need to “stop celebrating burnout as dedication” Entering Forest Collective’s “hypnotic, enticing, spooky” dance-opera What’s on in Melbourne this February and March In conversation with Chloe Chua, soloist with the Singapore Symphony Orchestra LIVE REVIEW // Jeffrey hears Chanticleer in Princeton University Chapel How to write a compelling application for the Art Music Fund A “dangerous robot” will hurl clay at musicians in this loud, unpredictable performance How I used “serious fun” to build my 42-student music school Your feedback can make or break a musician. Here’s why that matters.