How to practice when you have zero time
BY LAURA BARTON We would like to welcome Laura in her first blog as a CutCommon contributor. I’m a violinist at the Australian National […]
ANAM
WTF?! Performing all your own works in one concert
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why do we call everything “classical”?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Does the B-flat or E-flat clarinet win?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
EVENTS // Steven Osborne plays Debussy with ANAM
CONTENT COURTESY ANAM Debussy100 is a 12-month project to mark the 100th anniversary of the death of Claude Debussy. Led by a collection of national and […]
Women on the podium | Laura Barton
BY ZOE DOUGLAS-KINGHORN, LEAD WRITER Gender equality. What does it look like in the orchestra? Blind auditions and gender-neutral concert blacks may bring balance […]
WTF?! How should I look after my reeds?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why do we love Debussy so much?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why do we give viola such a bad wrap?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why are cathedral acoustics so amazing?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]