Is it worth being a composer in Australia?
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY MICHAEL BAKRNČEV In 2017, Melbourne contemporary classical composer Michael Bakrnčev addressed the question, Is it worth becoming a composer in Australia? Half a decade […]
BY STEPHANIE ESLAKE When your first performance of a program is a sell-out, and you receive a donation of funds to record an album based […]
BY LILY BRYANT, SERIES CURATOR Welcome to a brand new year of amazing Australian artists, and a brand new year of Passing the Mic. I […]
BY STEPHANIE ESLAKE Take one look at Sarah Elise Thompson’s portfolio, and you’ll see a list of names that’ll leave you feeling awestruck. Deborah Cheetham. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music has connected 67 musicians with 67 composers. The idea is to create a vast collection of […]
BY STEPHANIE ESLAKE During a pandemic, the word “escapism” sounds particularly sweet, doesn’t it? This is how Alicia Crossley describes her newest album Bass Instincts. […]
CONTENT COURTESY ABC ABC Classic and ABC Jazz have announced the recipients of the inaugural $90,000 composer commissioning fund to support new Australian music from […]
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