Zela Margossian: “My music is a story of who I am”
BY STEPHANIE ESLAKE Where does the story of Zela Margossian begin? Perhaps it begins Beirut, where she was born and raised as a child. Maybe […]
australian composition
Julius Schwing is creating new guitar techniques from his Bruny Island studio
BY STEPHANIE ESLAKE Living in Tasmania carries with it a feeling of remoteness. We are far away from the place we call “the mainland”, yet […]
Sarah Elise Thompson’s debut album is an intimate self-portrait
BY STEPHANIE ESLAKE Take one look at Sarah Elise Thompson’s portfolio, and you’ll see a list of names that’ll leave you feeling awestruck. Deborah Cheetham. […]
Passing the mic // An interview with composer Kezia Yap
BY LILY BRYANT, SERIES CURATOR Welcome back to our second instalment of Passing the Mic, a series centring the art of Australian female, non-binary, and […]
This new composition is basically a chain letter game (but with music)
BY STEPHANIE ESLAKE If you enjoyed your teenage years in the 2000s (hey, millennials), you probably sent a chain email or two. You know the […]
How I used Zoom to express creativity through isolation
BY BECKY LLEWELLYN We would like to welcome Becky in her first blog as a CutCommon contributor! Ah, 2021 – living through a global pandemic. […]
AMEB commissions Indigenous lullaby for Online Orchestra, and invites you to play along
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) Candace Kruger is a Yugambeh yarrabilginngunn (songwoman) woman, an ethnomusicologist, and a proud Kombumerri (Gold Coast) […]
Want your program to be historically informed? Include new music
BY STEPHANIE ESLAKE “Our contemporary fascination with music of the past would be considered an aberration in Bach’s time.” It’s a fascinating idea, isn’t it? […]
Dan Thorpe is going through an emo phase, and it’s “shreddy, emotional, and virtuosic”
BY STEPHANIE ESLAKE Think of the word “emo” and you might be propelled straight back to your youth. Long black sleeves. Eyes lined. Ears blasted […]
Maria Grenfell composed a magical score for new Tasmanian documentary
BY STEPHANIE ESLAKE Behind an old cottage door, a family of quolls scuttles about. One marsupial pokes its nose out of an open drawer; another […]