Finding common ground: Hamish Gullick x Maxime Bibeau
BY STEPHANIE ESLAKE In this new interview series, we place two musicians side by side to answer questions about their careers and performances — but […]
Australian National Academy of Music
All the world’s a stage | William Tanner, horn
BY STEPHANIE ESLAKE Should you stay in Australia to build your music career, or travel overseas in search of bigger things? What even are those bigger things? […]
Music education matters, says Charlotte Miles, cello
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
Music education matters, says Jackson Bankovic, trombone
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
Music education matters, says percussionist Alison Fane
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
Music education matters, says Robin Wilson, violin
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
How I learnt to stop worrying (and love the music I have to keep practising)
BY LAURA BARTON When I began studying violin at the Australian National Academy of Music almost three years ago, I underwent the same process that […]
Music education matters, says Sophie Spencer, trumpet
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
Behind the scenes with the Chrysalis Trio
CONTENT COURTESY AUSTRALIAN NATIONAL ACADEMY OF MUSIC Melina van Leeuwen (harp), Katie Yap (viola, pictured above), and Kiran Phatak (flute) form the Chrysalis Trio. These […]
Håkan Hardenberger plays “the half-modern music that is in danger of being forgotten”
BY JASMINE MIDDLETON AND STEPHANIE ESLAKE If you could design any concert program, what music would you include? How about “the half-modern music that is […]