Women on the podium | Laura Barton
BY ZOE DOUGLAS-KINGHORN, LEAD WRITER Gender equality. What does it look like in the orchestra? Blind auditions and gender-neutral concert blacks may bring balance […]
Australian National Academy of Music
WTF?! How should I look after my reeds?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! (Successful) long-distance collaboration
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
How to sell yourself (without selling out)
BY SUSAN DE WEGER Building a loyal audience is one of the biggest challenges facing young artists. Most young classical musicians experience four years […]
Con Fuoco | Aidan Gabriels, French horn
Welcome to Con Fuoco, our interview series with emerging artists in Australia. Perth-born Aidan Gabriels comes from a family of four, all of whom […]
WTF?! Why do we love Debussy so much?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Do I need to move city for study?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why do we give viola such a bad wrap?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
WTF?! Why are cathedral acoustics so amazing?
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
Valuing young players in the orchestra
BY STEPHANIE ESLAKE Ever wondered what goes on in the mind of a cellist during performance? It gets pretty complicated. Eliza Sdraulig says her […]