EVENTS // High Score: Composition and Sound Art for Gaming
CONTENT COURTESY APRA AMCOS With a booming games industry comes a demand for the music that soundtracks a player’s experience. As part of Melbourne International […]
CONTENT COURTESY APRA AMCOS With a booming games industry comes a demand for the music that soundtracks a player’s experience. As part of Melbourne International […]
BY STEPHANIE ESLAKE This story was first published in October 2017 in the Kill Your Darlings literary journal as part of the inaugural KYD New […]
BY DEBORAH CHEETHAM AO In this blog, Yorta Yorta composer, soprano, and Short Black Opera artistic director Deborah Cheetham AO writes about the creation of […]
BY HOLLY HARRISON AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
BY STEPHANIE ESLAKE Have you heard of pointillism? It’s the awe-inspiring technique with which painters create large works based on thousands, perhaps millions, of tiny dots […]
BY STEPHANIE ESLAKE You might’ve read a story last month featuring Nikki Edgar – the young musician who enlightened us about composition and improvised […]
BY MARK BOSCH Although Sydney Chamber Choir and Synergy Percussion’s joint concert Dance Chant is billed as a tribute to Ross Edwards at age […]
BY MARK BOSCH We would like to welcome Mark in his first story as a CutCommon contributor. I would like to think that the […]
BY STEPHANIE ESLAKE The Modest Orchestra doesn’t care if you’re not studying to complete a performance major. It doesn’t care if you don’t want […]
BY PHILIP SHEPPARD AS TOLD TO CHRISTOPHER LEON, GLOBAL SERIES COORDINATOR Philip Sheppard co-composed Sony’s Detroit: Become Human, a new video game for PS4. In this story, […]
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