5 hard lessons on how to launch an orchestra
BY CUTCOMMON Back in 2011, Bourby Webster had a dream for an orchestra that would create “music for everyone”. And when she founded and developed […]
BY CUTCOMMON Back in 2011, Bourby Webster had a dream for an orchestra that would create “music for everyone”. And when she founded and developed […]
BY STEPHANIE ESLAKE When soprano Morgan Carter was accepted into the Royal Northern College of Music, they were looking straight down the barrel of a […]
BY STEPHANIE ESLAKE Back in 2019, Jeffrey Palmer wrote about the Music in the Alps Festival. This was before the pandemic brought international concert tours […]
CONTENT COURTESY FREEDMAN CLASSICAL FELLOWSHIP Three exceptional finalists have been selected to compete for The Music Trust’s 2022 Freedman Classical Fellowship, after an extensive search […]
BY STEPHANIE ESLAKE Imagine you’re performing a piece of music. Now imagine you’re playing it on a radio station that reaches hundreds of thousands of […]
BY EMMA SULLIVAN As the principal bassist of Melbourne Chamber Orchestra, I am usually found at the back of the ensemble, providing the foundation to […]
BY MIRANDA ILCHEF, LEAD WRITER If there’s one thing that unites us more than the universal language of music, it’s our universal love of storytelling. […]
BY CHRISTOPHER LEON WITH LEVEL AND GAIN You may not have heard of Kyle Dixon and Michael Stein, but you would undoubtedly know their music. The […]
BY STEPHANIE ESLAKE What do you need to know about vocal music? The answer to this question depends on your approach. Are you a composer […]
BY STEPHANIE ESLAKE Whether you’re a composer, performer, arts administrator, or even music journalist, it’s likely you’ve had an enriching experience with the Australian Youth […]
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