Cameron Lam on music careers, slowing down, and composing with colour
BY STEPHANIE ESLAKE It’s safe to say that most makers and listeners of Australian art music will have heard of Cameron Lam. They’re curator of […]
BY STEPHANIE ESLAKE It’s safe to say that most makers and listeners of Australian art music will have heard of Cameron Lam. They’re curator of […]
BY JEFFREY CHARLES PALMER, UNITED STATES CORRESPONDENT This Be Her VerseGolda Schultz and Jonathan WarePrinceton University ConcertsAlexander Hall, Princeton, New Jersey, USA, 8 April On […]
BY STEPHANIE ESLAKE The name of Andrea Lam’s concert is amusingly candid. Why would you want to listen to a program filled with Sad Piano […]
BY STEPHANIE ESLAKE When was the last time you performed a gig, or taught a student how to play that challenging piece they’re working on? […]
BY MIRANDA ILCHEF, LEAD WRITER Over the past decade, Baroque repertoire has made quite a resurgence in Australia’s orchestral programming. As a violinist, I feel […]
BY STEPHANIE ESLAKE Ingrid Martin seems to find her audience just as interesting as the music she conducts. When she’s on the podium, she will […]
BY STEPHANIE ESLAKE Georgina Palmer is a composition student. She’s studying at the Melbourne Conservatorium of Music, but before she got there, she had no […]
BY CUTCOMMON When composer Ade Vincent and singer-songwriter Lior started their latest commission for the Melbourne Chamber Orchestra, they wrote a list of emotions they […]
BY CUTCOMMON There’s an old adage in the world of music, and that’s to know the rules before you break them. Composer Damien Ricketson is […]
BY CUTCOMMON Imagine conducting an orchestra that brings together some of the leading talent in all of Australia for a one-night-only performance of Mahler. Sound […]
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