LIVE REVIEW // Chantal goes to see Pinchgut Opera’s Orontea
BY CHANTAL NGUYEN OronteaPinchgut OperaCity Recital Hall, 26 May I’ve stood in the bathroom queue during a Pinchgut intermission before, and heard audience members remark, […]
BY CHANTAL NGUYEN OronteaPinchgut OperaCity Recital Hall, 26 May I’ve stood in the bathroom queue during a Pinchgut intermission before, and heard audience members remark, […]
BY ALEXANDRA MATHEW Katie Noonan’s ethereal voice has serenaded Australians for the best part of two decades. Unlike many professional singers who may not stray […]
BY STEPHANIE ESLAKE The year 2020 has changed the way music is presented, shifting live performance into a digital future. So where does this leave […]
BY ALEXANDRA MATHEW Ich Habe GenugGenesis BaroqueAbbotsford Convent, 7 August Genesis Baroque is a relatively newly formed Melbourne ensemble, comprising local and expatriate musicians. Bach […]
BY BRIDGET O’BRIEN There is so much music that relies on the excavation of committed musicians to help it bubble back to the surface […]
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