The best Australian music can happen when orchestras support the creators
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE Music by female-identifying composers. A digital future for the performing arts industry. Diversity in the concert hall. Choosing not to perform Mozart. […]
BY HARRY SDRAULIG AS TOLD TO CUTCOMMON The TSO Australian Composers’ School was run with exceptional professionalism from start to finish, and I really felt […]
BY ELLA MACENS AS TOLD TO CUTCOMMON Being invited to participate in the 2018-19 TSO Australian Composers’ School was a total dream come true, especially […]
BY MARK HOLDSWORTH AS TOLD TO CUTCOMMON Each day of the TSO Australian Composers’ School consisted of intensive rehearsals. Although the rehearsal time was generous […]
BY STEPHANIE ESLAKE The Sydney Chamber Choir’s Sam Allchurch has big shoes to fill. This year marked his first as its music director, following in […]
BY STEPHANIE ESLAKE There has been a lot of discussion about gender diversity in the music industry in recent years. But what we haven’t heard […]
BY CELINE CHONG, LEAD WRITER (QLD) Canberra is something of a hidden gem amongst Australia’s capital cities. But come May, the city’s rich arts and […]
BY ELLA MACENS, AS TOLD TO KATIE MILLER-CRISPE Young composer Ella Macens participated in the Gondwana National Choral School Composer Program, with her work featured […]
BY SAMUEL COTTELL Four emerging composers at the Sydney Conservatorium of Music have been selected for the first National Women Composers’ Development Program. Through […]
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