LIVE REVIEW // Mark attends Phoebe Green + SPIRAL at BackStage Music
BY MARK BOSCH Phoebe Green + SPIRAL BackStage Music 22 September, Woodburn Creatives Woodburn Creatives feels a little bit like home. I’ve only […]
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Just what do we talk about when we talk about investment in the arts?
BY MARK BOSCH Any nuanced view will take into account what it means to invest in the arts well, which is undoubtedly a matter of degree […]
In conversation with Solomon Frank of Enzbmeleoboelezsme Onsobmblzeeeee
BY MARK BOSCH In early July, Onszembal Ensmbel performed five works at Ensemble Offspring’s Hatched Academy Open Mic – many of which relied on […]
LIVE REVIEW // Mark goes to Ross Edwards’ 75th birthday gig
BY MARK BOSCH Dance Chant Sydney Chamber Choir and Synergy Percussion City Recital Hall, 4 August The greatest strength of Saturday night’s Dance Chant was […]
Regeneration and empowerment: Olivia Swift and Josie Gibson
BY MARK BOSCH Although Sydney Chamber Choir and Synergy Percussion’s joint concert Dance Chant is billed as a tribute to Ross Edwards at age […]
A chat with Australian composer Ross Edwards
BY MARK BOSCH I always hesitate to call a composer — or any artist and their work — “unique”, “singular”, “solitary”. Nothing exists in […]
LIVE REVIEW // Mark goes to Game On
BY MARK BOSCH Game On Ensemble Offspring feat. 2018 Hatched Academy Associate Artist Georgina Oakes (clarinet) BackStage Music Woodburn Creatives, 19 July BackStage […]
Julian Day explores rules and social behaviour in Game On
BY MARK BOSCH We would like to welcome Mark in his first story as a CutCommon contributor. I would like to think that the […]
When your orchestra is built on modesty
BY STEPHANIE ESLAKE The Modest Orchestra doesn’t care if you’re not studying to complete a performance major. It doesn’t care if you don’t want […]