Writing screen music for “heroes being pushed to their limits”
BY CUTCOMMON The new Netflix series Man on Fire is as thrilling as anything composer Max Aruj has worked on before: Mission: Impossible, Top Gun: […]
BY CUTCOMMON The new Netflix series Man on Fire is as thrilling as anything composer Max Aruj has worked on before: Mission: Impossible, Top Gun: […]
BY DAN GOLDING, SWINBURNE UNIVERSITY OF TECHNOLOGY; BRENDAN KEOGH, QUEENSLAND UNIVERSITY OF TECHNOLOGY, AND TAYLOR HARDWICK, QUEENSLAND UNIVERSITY OF TECHNOLOGY An enthusiastic, sellout crowd arrived […]
BY STEPHANIE ESLAKE There’s always a fair amount of discussion surrounding the role of screen music in the concert hall. Does it make for a […]
BY STEPHANIE ESLAKE He’s known as The Cartoon Composer — and in 2022 he scored one of the truest-to-genre shows to land on Netflix. Inspired […]
BY STEPHANIE ESLAKE Growing up in the ’80s, Cornel Wilczek was allowed to watch as much TV as he wanted. Rather than developing a serious […]
BY STEPHANIE ESLAKE In the past month, Australian composer Cassie To has been nominated for an APRA AMCOS Screen Music Award. She has also been […]
BY STEPHANIE ESLAKE We all love music that tells a story. Whether composed for an opera or ballet, we soak up the passion and tragedy […]
CONTENT COURTESY APRA AMCOS APRA AMCOS and the Australian Guild of Screen Composers today announce the nominees for the 2021 Screen Music Awards, highlighting the […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY CHRISTOPHER LEON FOR LEVEL AND GAIN Tom Salta is an experienced video game composer with the ability to jump between starkly different game and […]
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