Thomas Misson is championing “some of the stranger music out there”
BY STEPHANIE ESLAKE We all love a bit of strange music from time to time. Some might argue that the stranger it is, the better. […]
BY STEPHANIE ESLAKE We all love a bit of strange music from time to time. Some might argue that the stranger it is, the better. […]
BY STEPHANIE ESLAKE One of the most defining features of the Willoughby Symphony Orchestra is its willingness to embrace creative risk. And what could be […]
BY STEPHANIE ESLAKE A bit over an hour south of Hobart lies the natural, rugged wonder of the Tasman Peninsula. The landscape is at once […]
BY STEPHANIE ESLAKE You don’t have to play a woodwind instrument to be part of the Adelaide Clarinet & Saxophone Festival. You only need a […]
BY STEPHANIE ESLAKE When I sit down to chat with Australian guitarist Slava Grigoryan, there’s one topic he keeps circling back to — and that’s […]
BY STEPHANIE ESLAKE Australian composer Rachel Bruerville is celebrating the release of her debut album of instrumental chamber music. But it’s not only an album […]
BY STEPHANIE ESLAKE We’ve all been there. Playing a piece of music in front of a teacher, adjudicator, or colleague — our nervous system on […]
BY STEPHANIE ESLAKE The first time I hit ‘play’ on Erwan Keravec’s recordings, I find it hard to convince myself that I’m listening to a […]
BY STEPHANIE ESLAKE When I ask Dr Sarah Penicka-Smith why audiences should listen to the Willoughby Symphony Orchestra, she responds without hesitation: because it’s “generous, […]
BY STEPHANIE ESLAKE In 62CE, an earthquake shattered Pompeii. Then 17 years later, a volcanic eruption destroyed what remained of the city. The eruption of […]
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