Howard Shore explains how he composes his fantasy worlds
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN The Lost Prince is a film for anyone who has ever been a parent or a child. The French […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN The Lost Prince is a film for anyone who has ever been a parent or a child. The French […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN For Alex Baranowski, The Windermere Children wasn’t an ordinary scoring project. Though the BBC/Wall to Wall production may have presented […]
BY STEPHANIE ESLAKE For flautist Joshua Batty, one of the most distressing impacts of this summer’s bushfire season has been “the feeling of mutual helplessness”. […]
BY STEPHANIE ESLAKE In this new interview series, we place two musicians side by side to answer questions about their careers and performances — but […]
BY STEPHANIE ESLAKE The Sydney Chamber Choir’s Sam Allchurch has big shoes to fill. This year marked his first as its music director, following in […]
BY STEPHANIE ESLAKE Music education matters. Whether you first picked up an instrument at school, you’re working full-time in an orchestra, or you’re just entering […]
BY STEPHANIE ESLAKE When I first heard the Glenn Miller Orchestra was still touring 100,000 miles a year, my heart jolted: I had missed the […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN If you see Angelo Valdivia’s name pop upacross Level and Gain, it’s for good reason: this guy is a mastermind […]
BY RIA ANDRIANI, AS TOLD TO STEPHANIE ESLAKE I was born in Bandung and grew up in Jakarta, Indonesia. My parents encouraged me to learn […]
BY STEPHANIE ESLAKE (EDITOR) WITH LAURA BIEMMI (TRENDS EDITOR) David ‘Twiggy’ Reichelt reckons the wind quintet can be a “formidable” concoction of instruments for any composer. […]
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