Invisible Wilderness: 15 Years in the Making
BY STEPHANIE ESLAKE Are composers ever truly ready to release their works? It’s taken Rae Howell 15 years, but it’s been worth the wait. […]
Articles
Writer-musicians bring the latest from Australia’s classical and new music scene
Melbourne Guitar Foundation: It’s Festival Time
Young Melbourne entrepreneurs and Melbourne Conservatorium classical guitar students Michael MacManus and Evan Hopkins banded together in late 2014 to establish the Melbourne Guitar Foundation. […]
Elsen Price: Totally addicted to Bass
BY SAMUEL COTTELL Double bass player Elsen Price is making his mark on the music scene in a range of settings. He recently performed […]
FutureMakers: Arcadia Quintet kicks off major fellowship
BY STEPHANIE ESLAKE Chamber music mentoring. Public performances. Community engagement. Business development. These are the opportunities presented to the Arcadia Quintet, an emerging woodwind […]
Jakob Bragg on new orchestral commission ‘Atmosphoria’
BY SAMUEL COTTELL Imagine a hot summer’s night in Brisbane. “It’s almost midnight, it’s an unforgivably still 28 degrees and worst of all, it […]
No Genre Out of Place for Gemma Turvey
BY STEPHANIE ESLAKE The New Palm Court Orchestra isn’t too concerned with limiting its program by era or genre. In fact, the group’s Bridging […]
When the Montuno Meets the Orchestra
BY SAMUEL COTTELL If you look over the history of Western music, you’ll find there once was a tradition in which composers were also […]
Con Fuoco: James Gath
Welcome to Con Fuoco – CutCommon’s new interview series with emerging musicians across Australia. James Gath has played piano since high school and immediately […]
Coffee, Cake, and Carl Vine
BY STEPHANIE ESLAKE A warming cup of freshly brewed coffee, a slice of cake, and some of the greatest classical works that exist. This […]
Growing Up Different: Paul Lewis
BY STEPHANIE ESLAKE English classical pianist Paul Lewis discovered music all on his own. As an 8-year-old, he visited a record library each week […]