Peter Knight reflects on friendship, “the guiding principle that underpins the work of the AAO”
BY STEPHANIE ESLAKE For the past decade, Peter Knight has helmed the Australian Art Orchestra as its artistic director — a role he feels mirrors […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE For the past decade, Peter Knight has helmed the Australian Art Orchestra as its artistic director — a role he feels mirrors […]
BY STEPHANIE ESLAKE A good team meeting will start with a hot cup of coffee – and it’s no different for the members of Signum […]
BY STEPHANIE ESLAKE In the past month, Australian composer Cassie To has been nominated for an APRA AMCOS Screen Music Award. She has also been […]
BY STEPHANIE ESLAKE Was Andrea Keller a child prodigy? Perhaps the pianist would fall under that category; she did start composing when she was just […]
BY MIRANDA ILCHEF, LEAD WRITER The Melbourne Symphony Orchestra’s upcoming Debussy’s Nocturnes concerts mark two exciting Australian firsts: not only will the program feature a […]
BY STEPHANIE ESLAKE Those who have spent time in hospital settings may be familiar with feelings of stress, vulnerability, and isolation. And in Tasmania, healthcare […]
BY STEPHANIE ESLAKE Cellist Anita Quayle and bassist/guitarist Nick Delaney have produced their first studio album Coming Home. Their collaboration grew from Melbourne’s early COVID […]
BY STEPHANIE ESLAKE For Cat Hope, technology is about creativity. It’s about taking your musical ideas, and giving them a voice beyond the limits of […]
BY CUTCOMMON For the past three decades, Elektra String Quartet has placed Australian music front and centre. This year, the group releases new album Ebb […]
BY STEPHANIE ESLAKE How long do you think it’d take you to write, rehearse, perform, and professionally record a new piece of music? As you […]
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