UNSTOPPABLE ARTISTS // James Littlewood, bass trombone
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
BY CUTCOMMON Five emerging composers have been awarded a place in the Arts Centre Melbourne’s 5x5x5: Memory mentorship program. It’s a paid commission opportunity for […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY STEPHANIE ESLAKE In the past three years, composer Alice Humphries has produced new music with fascinating artists, moved from Melbourne to make a new […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY CUTCOMMON We love new music. So when we heard about Erik Griswold and Vanessa Tomlinson’s new Clocked Out composition project, we wanted to talk […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.