“It’s not rare for me to cry while making music”
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des Légendes), he […]
BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in […]
BY CUTCOMMON Five emerging composers have been awarded a place in the Arts Centre Melbourne’s 5x5x5: Memory mentorship program. It’s a paid commission opportunity for […]
BY STEPHANIE ESLAKE FOR LEVEL AND GAIN As composer of the hit TV series The Killing, Frans Bak is considered a pioneer of “Nordic noir”. […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY ANGELO VALDIVIA FOR LEVEL AND GAIN There aren’t many composers who fluidly work between video games and Hollywood, but Penka Kouneva has firmly entrenched herself among […]
BY STEPHANIE ESLAKE In the past three years, composer Alice Humphries has produced new music with fascinating artists, moved from Melbourne to make a new […]
BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to […]
BY CUTCOMMON We love new music. So when we heard about Erik Griswold and Vanessa Tomlinson’s new Clocked Out composition project, we wanted to talk […]
BY STEPHANIE ESLAKE, EDITOR The Australian Government has announced major changes to university fee structures to build a new workforce of “job-ready graduates“. Education Minister […]
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