Affinity Quartet has found a venue that mixes “intimacy, adrenaline, and realness”
BY STEPHANIE ESLAKE Musicians, how would you feel if you could feel your audiences eyes on you — so closely that you could watch their […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE Musicians, how would you feel if you could feel your audiences eyes on you — so closely that you could watch their […]
BY STEPHANIE ESLAKE If you could stand music still in time, what would it look like? For some the answer would be “architecture”. Patrick Kennedy […]
BY LAURA BIEMMI, TRENDS EDITOR It’s common practice for a major Australian orchestra to invite world-renowned soloists to dazzle local audiences with their interpretations of […]
BY JASMINE MIDDLETON Content warning: This story contains discussion about Indigenous youth suicide. For help, call Lifeline on 131114. Concert for Life is so much […]
BY STEPHANIE ESLAKE The Queensland Conservatorium Griffith University is about to perform a 21st-Century version of Mozart’s comic opera La Finta Giardiniera (The Fake Gardener) […]
BY MIRANDA ILCHEF Last month, we had a chat with composer Luke Howard about the very first ZoneOut International Music Festival. As the festival ambassador, […]
BY LEWIS INGHAM Erik Griswold’s latest release Hollows Out of Time is an album unafraid of stylistic and sonic possibilities. The intriguing combination of prepared […]
BY JASMINE MIDDLETON Party animal. Revolutionist. Bohemian. Uber-famous artist with the lifestyle to match. This is how conductor Benjamin Northey would describe 20-year-old Wolfgang Amadeus […]
BY STEPHANIE ESLAKE In the past week, we’ve been showcasing some very special emerging talent — each group of which took part in the Mimir […]
BY MARK BOSCH, LEAD CRITIC On September 13 this year, Clara Schumann is turning 200. A day later (which, conveniently, is a Saturday), a bunch […]
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