Orava Quartet will premiere a new Australian work this month
BY CUTCOMMON It’s safe to say that most musicians would be happy with a review praising their ability to “defy the laws of physics”. But […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY CUTCOMMON It’s safe to say that most musicians would be happy with a review praising their ability to “defy the laws of physics”. But […]
BY STEPHANIE ESLAKE Where will your music career take you? For Melbourne percussionist Kaylie Melville, it led her into major festival appearances, premieres of Australian […]
BY CUTCOMMON In 2022, Reuben Johnson heard his Australian National Academy of Music colleagues perform Messiaen’s Quartet for the End of Time. So engrossing was […]
BY STEPHANIE ESLAKE Eliza Shephard has long been concerned with a lack of representation in the Australian music industry. She wanted to see more works […]
BY LILY BRYANT Amidst the seemingly never-ending discussion about the inaccessibility of classical music, a quiet hero has emerged: contemporary-classical piano. A genre perfectly suited […]
BY MIRANDA ILCHEF Nicholas Bochner has always found his spark by getting involved in “musical projects that get us closer to the audience – those […]
BY MIRANDA ILCHEF Orchestral percussionist to classroom teacher to professional conductor isn’t a typical career trajectory — but it’s a path Jen Winley found herself […]
BY STEPHANIE ESLAKE Many artists will seek support for their creative projects. But rarely will you find an opportunity based around the concept of class. […]
BY STEPHANIE ESLAKE Halfway into my music degree, I had an accident. I’d been studying classical saxophone, the passion of my life since I was […]
BY CUTCOMMON Australian conductor Leonard Weiss has been making waves overseas, from his recent Churchill Fellowship achievement to his roles as the Baltimore Symphony Orchestra’s […]
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