A chat with Australian composer Mark Holdsworth
BY KIYA VAN DER LINDEN-KIAN Writing music can often seem like a mystifying and intellectual process. But for some, the experience can be “uniquely […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY KIYA VAN DER LINDEN-KIAN Writing music can often seem like a mystifying and intellectual process. But for some, the experience can be “uniquely […]
BY STEPHANIE ESLAKE A loyal CutCommon reader, you might know that we’ve covered Dots+Loops a fair bit in the past. After all, the Queensland […]
BY STEPHANIE ESLAKE Some might shy away from the challenge of taking on multiple roles in a production. After all, who could possibly build […]
BY JASMINE MIDDLETON I’ll let you in on a not-so-little secret: I’m a fan of The Handmaid’s Tale. After devouring the powerful, feminist, and […]
BY STEPHANIE ESLAKE Ernie Gruner plays the violin. Ernie Gruner also likes playing whatever he likes on the violin. And he’s established an ensemble […]
BY STEPHANIE ESLAKE If you watched the 2017 season of The Voice Australia, you’d have seen one young performer working hard to make her way to […]
BY STEPHANIE ESLAKE When Emma Morrison was at school, she thought the bassoon could be fun – its “deep resonant sound and quirky nature” […]
BY HOLLY HARRISON AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
BY STEPHANIE ESLAKE Have you heard of pointillism? It’s the awe-inspiring technique with which painters create large works based on thousands, perhaps millions, of tiny dots […]
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