Why do I conduct?
BY STEPHANIE ESLAKE UPDATE: The Australian Conducting Academy 2019 Summer School applications open 20 August and close 10 September 2018. Find out more. ‘Why […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY STEPHANIE ESLAKE UPDATE: The Australian Conducting Academy 2019 Summer School applications open 20 August and close 10 September 2018. Find out more. ‘Why […]
BY LUCY RASH Now in its seventh year, Homophonic! has earned its (rainbow) stripes as a much-loved and ever-powerful annual showcase of both local […]
BY JOHN GLOVER This week, we announce some exciting workshops and initiatives coming soon, and we celebrate the achievements of one talented prodigy. …and […]
BY STEPHANIE ESLAKE The Australian Youth Orchestra’s National Music Camp is a rite of passage for young musicians and arts practitioners in Australia. So […]
On 15 December 2017, the University of Melbourne bestowed its highest honour on Musica Viva CEO Mary Jo Capps, admitting her to the degree of […]
BY STEPHANIE ESLAKE When I heard the news that Elizabeth Scott would conduct Handel’s Messiah at the Sydney Opera House, I must admit I was a […]
Dedication. It’s learning your parts. It’s developing your technique. It’s rocking up to rehearsal. In fact, for some, it’s embarking on a 10-hour round-trip to rock […]
Welcome to Con Fuoco, CutCommon’s interview series with emerging musicians in Australia. Sarah Arnold is a graduate of the Sydney Conservatorium of Music, having […]
BY LAURA BIEMMI When the APRA AMCOS/Australian Music Centre Art Music Fund recipients were announced in April this year, it was noted that two […]
BY CAROL SAFFER Nature or nurture? Genetic or environment? Virtuoso guitarist Matthew Fagan believes “it is definitely in the genes”. When Gypsy Fire duo […]
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