How can Classical:NEXT best respond to our times?
BY MYLES OAKEY, EUROPE CORRESPONDENT Disclaimer: Opinions reflect those of the writer and not necessarily the publication. In a persuasive project pitch, the artistic director […]
Fresh views on all things classical and new music
BY MYLES OAKEY, EUROPE CORRESPONDENT Disclaimer: Opinions reflect those of the writer and not necessarily the publication. In a persuasive project pitch, the artistic director […]
BY LYLE CHAN When Glenn Dickie arrived in Rotterdam, one of the first things he needed to do was buy a new sandwich toaster. He’d […]
BY RIA ANDRIANI, AS TOLD TO STEPHANIE ESLAKE I was born in Bandung and grew up in Jakarta, Indonesia. My parents encouraged me to learn […]
BY STEPHANIE ESLAKE Disclaimer: This blog provides critical analysis of recent media events surrounding Shuan Hern Lee and the Lang Lang Shenzhen Futian International Piano […]
BY DEBORAH HART Deborah Hart is an orchestral musician and qualified Acceptance and Commitment Therapy practitioner, who uses her knowledge to help musicians experiencing performance […]
BY EUNISE CHENG, PARTRIDGE STRING QUARTET The Partridge String Quartet is one of the newest emerging chamber ensembles to come fresh out of the Australian […]
BY STEPHANIE ESLAKE, EDITOR This story was commissioned by Meanjin. It has been made available for publication in CutCommon for the first time (with permission). Ten years old. Innocent. […]
BY GRACE JOHNSON We would like to welcome Grace in her first blog as a CutCommon contributor. “No, no!” my teacher exclaimed. She coaxed my […]
BY MARK BOSCH, LEAD CRITIC It matters how we listen, not just to music but to each other. Are we listening selectively? Listening to respond? […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Ever scrolled through someone’s Instagram – particularly someone doing really cool and interesting things overseas – and thought, please […]
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