How to practice when you have zero time
BY LAURA BARTON We would like to welcome Laura in her first blog as a CutCommon contributor. I’m a violinist at the Australian National […]
Fresh views on all things classical and new music
BY LAURA BARTON We would like to welcome Laura in her first blog as a CutCommon contributor. I’m a violinist at the Australian National […]
BY ROSE DE LA MONTAÑA After six gruelling, enjoyable, challenging, and enlightening years of study, I’ve recently completed my Master of Music in Music Performance with […]
BY SIX-FOUR, AS TOLD TO STEPHANIE ESLAKE When I first heard about six-four’s upcoming gig, I was like: This is seriously awesome. The art music-loving sextet […]
BY MARK BOSCH One of the stranger protests I’ve been to – Tuesday night’s “counter-projection event” at the Sydney Opera House – felt nevertheless appropriate […]
BY JACINDA JAENSCH AS TOLD TO CUTCOMMON Earlier this year, we published a feature with Jacinda Jaensch – founder of new Australian fashion label Cadenza […]
BY STEPHANIE ESLAKE This story was first published in October 2017 in the Kill Your Darlings literary journal as part of the inaugural KYD New […]
BY DEBORAH CHEETHAM AO In this blog, Yorta Yorta composer, soprano, and Short Black Opera artistic director Deborah Cheetham AO writes about the creation of […]
BY GRACE GALLUR One year ago, I messaged fellow singer Aidan McGartland to share my favourite choral music and ask if he’d help get […]
BY ALEX POZNIAK AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
BY TRISTAN COELHO AS TOLD TO STEPHANIE ESLAKE This month, we introduce you to the three Australian composers developing new works with Ensemble Offspring […]
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