As the Australian government abandons the arts, it’s time to make some noise
BY TIM HANNAH “In love and rage.” That phrase is a common sign-off amongst activists. It aptly summarises the fluctuations between compassion and frustration that […]
BY TIM HANNAH “In love and rage.” That phrase is a common sign-off amongst activists. It aptly summarises the fluctuations between compassion and frustration that […]
BY GABRIELLE CADENHEAD Composer-violinist Cyrus Meurant has cultivated a vast portfolio of music for dance and theatre. He has studied composition in Sydney, Paris, and […]
BY SYLVIE WOODS, LEAD WRITER (NSW) Move over Justin. It’s Heinrich Biber who’s getting played in this underground bar. Evan Streater’s next concert in The […]
BY CHANTAL NGUYEN It was the final minute of the final movement. “All or nothing, now or never!” I thought. The double stops, the breathless […]
BY MIRANDA ILCHEF Our brains are amazing organs. As performers, we rely on them to train our body, to remember our music, and to give […]
BY SEAN X. QUINN, COMPOSER We would like to welcome Sean in his first story as a CutCommon contributor! I have always looked at myself […]
BY JASMINE MIDDLETON It shouldn’t have to be a novelty that an educational organisation achieves gender equality across its staff and student base. But unfortunately, […]
BY DR DIANA TOLMIE The population of Australian musicians largely live portfolio careers involving music and non-music contract and DIY employment. And, as we know, […]
BY JESSIE WANG, LEAD WRITER (COMMUNITY AND SOCIAL AWARENESS) What’s the point of opera? To entertain audiences? Of course, all music aims to entertain. But […]
BY ALISON PARIS, LEAD WRITER (CHILDREN AND EARLY LEARNING) Australian string quartet Acacia has made a remarkable impact on the classical music scene. Through commissioning […]
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