Australian arts industry must brace for future disaster impacts now
BY DR DIANA TOLMIE As a Brisbane-based woodwind doubler, I’ve had the privilege of performing in many professional music theatre productions over the past 30 […]
BY DR DIANA TOLMIE As a Brisbane-based woodwind doubler, I’ve had the privilege of performing in many professional music theatre productions over the past 30 […]
BY STEPHANIE ESLAKE When I ask Dr Sarah Penicka-Smith why audiences should listen to the Willoughby Symphony Orchestra, she responds without hesitation: because it’s “generous, […]
BY STEPHANIE ESLAKE In 62CE, an earthquake shattered Pompeii. Then 17 years later, a volcanic eruption destroyed what remained of the city. The eruption of […]
BY STEPHANIE ESLAKE In the Japanese art of kintsugi, a broken piece of pottery is not discarded, but instead repaired with precious materials. Chipped edges […]
BY STEPHANIE ESLAKE The Singapore Symphony Orchestra was founded in 1979. It’s the flagship orchestra for a country of around six million people. It’s been […]
BY STEPHANIE ESLAKE Each year, the APRA AMCOS Art Music Fund supports the creation of several new pieces of Australian and New Zealand music. With […]
BY STEPHANIE ESLAKE Booked your tickets for that concert you were thinking of attending? Great. Now you just need to figure out how you’ll get […]
BY STEPHANIE ESLAKE Véronique Serret has performed as concertmaster of the Darwin Symphony Orchestra, played in bands with Archie Roach, and worked with the Australian Chamber […]
BY STEPHANIE ESLAKE Where will your music career take you? For Melbourne percussionist Kaylie Melville, it led her into major festival appearances, premieres of Australian […]
BY STEPHANIE ESLAKE Eliza Shephard has long been concerned with a lack of representation in the Australian music industry. She wanted to see more works […]
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