Solomon Frank: “Wonderful cathartic power” of improvisation
BY LEWIS INGHAM, COMPOSER Solomon Frank finds a “wonderful cathartic power” in free improvisation. He likens it to “throwing paint at a canvas or […]
BY LEWIS INGHAM, COMPOSER Solomon Frank finds a “wonderful cathartic power” in free improvisation. He likens it to “throwing paint at a canvas or […]
BY STEPHANIE ESLAKE Jazz or opera? Say yes to both, and sort it out later. That’s the philosophy of young singer Georgina Darvidis, who is making […]
BY YEN-RONG WONG We would like to welcome Yen-Rong Wong in her first story as a CutCommon contributor. At the ripe old age of […]
BY RACHEL BRUERVILLE When thinking about chamber music, the combination of recorder and percussion may not be the first thing that comes to mind. […]
BY JASSY ROBERTSON Many composers and musicians will allow their art to speak for itself. Not often are they asked about their personal lives. […]
BY JESSICA VOIGT-PAGE Jessica Voigt-Page is an Australian classical saxophonist based in Texas. She teaches 70 students and hosts camps and events with her own […]
BY STEPHANIE ESLAKE Imagine: You can hear the abstract sounds of melodies from a nearby space. Wine glass in hand, you stride past an […]
BY STEPHANIE ESLAKE, EDITOR Arts journalism in Australia faces a challenging future. The news that Fairfax has announced it will cut 125 positions, demolishing its coverage of the arts […]
BY LEWIS INGHAM At times, existing in a post-university environment feels like floating in a great expansive ocean where my feet can’t touch the […]
BY NATASHA LIN Natasha Lin is a Melbourne concert pianist who is training in a Master in Music Therapy. This is the second story […]
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