How to build your audience
BY SUSAN DE WEGER There was an eye-opening post from the new Crushing Classical Facebook page recently: As a classical musician, the audience has always […]
BY SUSAN DE WEGER There was an eye-opening post from the new Crushing Classical Facebook page recently: As a classical musician, the audience has always […]
BY THE COMPOSERS This week, four new Australian works will be premiered by the Melbourne Symphony Orchestra. Conductor Brett Kelly will take to the […]
BY STEPHANIE ESLAKE Have you ever felt a sense of doubt? Jochen Gutsch has. Though, he doesn’t react in the way that many of […]
BY STEPHANIE ESLAKE This week, four emerging opera stars experience a rare opportunity for professional development, exclusive workshops and coaching with leaders in the industry. Lisette […]
BY STEPHANIE ESLAKE You’ve probably seen it before. A near-black concert hall, the silhouette of a certain someone tiptoeing up to the action. Camera […]
BY STEPHANIE ESLAKE Improvisation. Electronic music. Sound installation. Contemporary instrumental works. These are just a few of the offerings that will sound from three stages […]
BY STEPHANIE ESLAKE In 2013, self-proclaimed HIPster Meg Cohen founded the Sydney Baroque Music Festival. Now heading into its fourth event, this celebration of […]
BY STEPHANIE ESLAKE “When the clock strikes 12, I’ll begin my 24-hour odyssey. Time will tell if I make it through.” Composer Julian Day […]
BY STEPHANIE ESLAKE Have you ever wondered what life is really like in the orchestra? Welcome to EXPOSED! Throughout 2017, we’re teaming up with musicians and […]
BY STEPHANIE ESLAKE A couple of years ago, Eva-Marie Middleton wrapped up a successful performance of Strauss’ Ariadne auf Naxos with OperaBox. Doing what she always did […]
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