Confronting violence against women with sound and noise
BY STEPHANIE ESLAKE As an audience member at Trigger Warning, you’ll be part of a brave and confronting live performance that pushes for social […]
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Elissa Koppen braves hearing loss to play in AYO
BY SARAH WORRALL, AUSTRALIAN YOUTH ORCHESTRA Sydney flautist Elissa Koppen, 21, has spent the past three weeks performing with the Australian Youth Orchestra as […]
Film scoring in 5 steps with Nicholas Marks
BY NICHOLAS MARKS Melbourne composer Nicholas Marks studied at Monash and has had his film scores appear at Tropfest, the Kah Bang International Film Festival, […]
Muses bringing female composers to the fore
BY STEPHANIE ESLAKE There’s a level of guilt – of concern – in the many of us who struggle to name a great number of female […]
Simon Bruckard on conducting with Victorian Opera
BY LEAH BLANKENDAAL Repetiteur and conductor Simon Bruckard, 25, is part of the Victorian Opera’s Professional Development Program following his graduation from the Master […]
Classical music our way: Melbourne Philharmonia Project
BY STEPHANIE ESLAKE The Melbourne Philharmonia Project defines itself with ambition: “An orchestral movement changing the perceptions of classical music”. And we love it. Hitting […]
To Roberto, with Love
BY STEPHANIE ESLAKE I can never resist a European accent. Though I can only hear his voice, Roberto Alagna exudes an overwhelming charm and, […]
Does genre still have a place?
BY MYLES OAKEY, 2016 CUTCOMMON YOUNG WRITER OF THE YEAR This is the winning blog entry in our inaugural CutCommon Young Writer of the Year Competition […]
Ashlee Clapp: Composing in Remote Communities
BY LEAH BLANKENDAAL Ashlee Clapp is a composer, conductor, musical director and educator known for her creative versatility. She graduated from the University of […]
Kieran Welch lives a musical life that is his own
BY MYLES OAKEY, 2016 CUTCOMMON YOUNG WRITER OF THE YEAR It happens every time: a short walk, a bus ride, a drive, or when […]