Julius Schwing is creating new guitar techniques from his Bruny Island studio
BY STEPHANIE ESLAKE Living in Tasmania carries with it a feeling of remoteness. We are far away from the place we call “the mainland”, yet […]
BY STEPHANIE ESLAKE Living in Tasmania carries with it a feeling of remoteness. We are far away from the place we call “the mainland”, yet […]
BY STEPHANIE ESLAKE Something doesn’t feel right. Your heartbeat quickens, and your muscles tense. You raise your hands in front of your eyes, peaking through […]
BY STEPHANIE ESLAKE A memory. I am 14 years old, and have entered into the local eisteddfod. I’ve been learning the piece for months — […]
BY STEPHANIE ESLAKE Harpist Emily Granger knew exactly what she wanted on her debut solo album — and it’s probably not what you’d expect. The […]
BY STEPHANIE ESLAKE The entire nature of our industry has shifted. Living and working through the pandemic, Australia’s musicians have been forced to rethink their […]
BY STEPHANIE ESLAKE Kate Miller-Heidke describes The Healing Tree as “pure comfort”. The idea for this single swirled in her mind when, before the pandemic, […]
BY STEPHANIE ESLAKE February 21 was a special day for Greater Western Sydney. The region, home to one in every 11 Australians, has opened its […]
BY STEPHANIE ESLAKE Hope has taken many forms throughout the pandemic. There’s been a feeling that restrictions are only temporary; that live music will return […]
BY PAT JAFFE One year ago, Pat Jaffe wrote a blog for CutCommon on the experience of recording and releasing his debut album Eldorado. He […]
BY STEPHANIE ESLAKE When an artist is streamed more than 29 million times, it tells you something about what listeners are craving right now. And […]
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