Live review // Sylvie goes to the Bernstein Songbook
BY SYLVIE WOODS The Bernstein Songbook Sydney Symphony Orchestra Sydney Opera House, 11 May Downtown Abbey’s Charles Blake (Julian Ovenden) performed some of Bernstein’s […]
New voices share their experiences of live and recorded music
BY SYLVIE WOODS The Bernstein Songbook Sydney Symphony Orchestra Sydney Opera House, 11 May Downtown Abbey’s Charles Blake (Julian Ovenden) performed some of Bernstein’s […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY NICHOLAS COLLINS Syzygy Ensemble Pagan Dances Melbourne Recital Centre, 10 May When singing, lyrics are there to help paint a picture the […]
BY STEPHANIE ESLAKE La Traviata Opera Australia Arts Centre Melbourne, 28 April Act 1 Why is everybody saying that opera is ‘dead’? This […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY MELANIE WALTERS A Well-Set Table Nexus Arts, Adelaide, 5 May From the moment I read the line-up for Nexus Arts’ event A […]
BY STEPHANIE ESLAKE AND CHRISTOPHER LEON CutCommon is the only publication to review this premiere Joe Hisaishi performance in Australia. Joe Hisaishi Symphonic […]
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
BY KIERAN WELCH the in-between Sideband Collective Self-released, December 2017 The second full album from Sydney composer-performer collective Sideband, the in-between, is aptly […]
BY JOEL ROBERTS A Tasmanian Requiem Gap in the Fence Music by Helen Thomson Written by Greg Lehman, Frances Butler, and Jim Everett-puralia meenamatta […]
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