(Literally) Live Reviews // Lewis goes to Self Seekers
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
Reviews
New voices share their experiences of live and recorded music
Sylvie goes to La Traviata
BY SYLVIE WOODS La Traviata Opera Australia Sydney Opera House, 12 March What’d you miss? Verdi’s wildest party of all An unusual interaction during […]
Live review: Pacific Opera sings Shakespeare
BY JAMES WHITING Shakespeare and Friends Pacific Opera Utzon Room, Sydney Opera House, 11 March What’d you miss? Music and poetry Fairy queens Bright, […]
Carol goes to the Forest Collective
BY CAROL DIXON Forest Collective: Forest Relaunched Works by Stockhausen, Reimann (AU premiere), Lawson (world premiere), Lindberg, Ingham and Edgar, Boulez, Pollard, Yuasa, Scully […]
(Literally) Live Reviews: Stephanie goes to the TSO
Welcome to our CutCommon’s (Literally) Live Reviews – our new video review series that aims to reshape the way we think about arts criticism in […]
Sylvie Woods goes to The Depot Theatre
BY SYLVIE WOODS Merrily We Roll Along Little Triangle The Depot Theatre, Marrickville, 14 March What’d you miss? A reviewer snomming tasty snacks The […]
Celine Chong goes to see pianist Nelson Freire
BY CELINE CHONG Nelson Freire 2018 International Piano Masterwork Series Medici Concerts Conservatorium Theatre, South Bank, 5 March What’d you miss? A completely new […]
Chloe Sanger goes to Ensemble Three
BY CHLOE SANGER Undercurrents Ensemble Three Featuring works by Harry Sdraulig, Jane Hammond, Elliot Hughes, Katy Abbott, Jake Donohue Melbourne Recital Centre, 19 Feb […]
John Glover experiences Thomas Tallis’ England
BY JOHN GLOVER Thomas Tallis’ England Australian Brandenburg Orchestra Melbourne Recital Centre, 24 February What’d you miss? A tour through 16-17th Century England Chilling […]
(Literally) Live Reviews: Celine goes to Converge
Welcome to our very first (Literally) Live Review – our new video review series that aims to reshape the way we think about arts criticism […]