This opera was made for you lazy, entitled millennials
BY CARISSA DYALL Aren’t millennials the worst? We spend our house deposits on avocado on toast and specialty coffee. We choose to raise dogs […]
Writer-musicians bring the latest from Australia’s classical and new music scene
BY CARISSA DYALL Aren’t millennials the worst? We spend our house deposits on avocado on toast and specialty coffee. We choose to raise dogs […]
BY STEPHANIE ESLAKE So you’ve been to see the opera. Maybe you were a concertgoer, taken aback by the majestic staging and tales of […]
BY JO ST LEON Disclaimer: This feature was written under the guidance of Curtain University through Open Universities Australia as part of Jo’s studies in […]
BY SYLVIE WOODS, LEAD WRITER (NSW) We dropped into Universal Music Sydney to get CutCommoners acquainted with mega-successful classical-crossover group Il Divo (pictured above). […]
BY STEPHANIE ESLAKE Joan DerHovsepian plays associate principal viola with the Houston Symphony Orchestra (a section in which she’s performed for close to two […]
BY STEPHANIE ESLAKE Contrary to the commonly held belief that the violin is a superior instrument, Jin Tong Long was in her primary school […]
BY STEPHANIE ESLAKE Welcome to our series, What the Fact?! Throughout 2018, we’re teaming up with talent at the Australian National Academy of Music to bring […]
BY STEPHANIE ESLAKE Think art has nothing to do with a global disease crisis? What if we told you the art was produced in […]
BY STEPHANIE ESLAKE For Curt Thompson, the Mimir Chamber Music Festival is “something of a family reunion”. It’s about coming together with old classmates, […]
BY EMMA SULLIVAN In a city renowned for its chamber music scene, Melbourne’s Affinity Collective is carving out its own path. The ensemble – […]
Copyright 2022 CutCommon. Opinions reflect those of the writer and not necessarily the publication.